I.
Prologue: Speaking of Eros (227a-230e)
II.
First Speech: Lysias’ encomium of the non-lover
(231a-234c)
III.
First Interlude: Lysias’ argument good, but he
lacks proper rhetorical form (234d-237a)
IV.
Second Speech: Socrates1‘ encomium of
the non-lover (237b-241d)
V.
Second Interlude: Socrates rhetorical form good, but the god Eros will be offended (241e-243e)
VI.
Third Speech: Socrates2 ‘ encomium of
the lover (Eros) (244a-257b)
VII.
Discussion 1: Proper Method of Communication:
Dialectical v. Rhetorical (257c-274b)
VIII.
Discussion 2: Proper Mode of Communication: Oral
v. Written (274b-277b)
IX.
Summary of Discussions 1 and 2 (277b-279c)
Socrates’ main burden is to persuade Phaedrus to acknowledge
the superiority of philosophical discourse. In order to do this, he must
convince Phaedrus that his present highest pursuit—rhetorical discourse—is
inadequate. Lysias’ speech does not fulfill the epitome of rhetorical
expression, though its basic argument fits the criteria for debating the weaker
case. Socrates, in his second speech, adopts the argument of Lysias in order to
show Phaedrus that he is more than competent to speak about rhetoric, since he
is himself a consummate rhetorician. Socrates’ rhetorical expression is
impeccable. Now that Phaedrus has been captivated by Socrates ethos, Socrates can move Phaedrus more
capably than before.
Socrates repents of the argument
of his first speech, acknowledging the ideal nature of eros, which is to stimulate the return of the soul to its primary
being; union with the Forms. The second speech epitomizes Socrates’ goal for
Phaedrus and demonstrates Socrates’ argument for rhetorical art in the
following discussion: Socrates’ knows that Phaedrus’ soul is speech-loving,
which is definitive of the philosophical, kingly or Zeus-loving soul. However,
Phaedrus has been deceived by the appealing nature of rhetoric, thus Socrates
must purify Phaedrus through dialectic—a process he can only arrive at through
first winning the admiration of Phaedrus in his current state of confusion. Since
Phaedrus’ soul is multi-faceted, Socrates presents the same idea through facets
of speech (i.e., first something prettily formed, then something pretty-formed
and true in content, then something formed for truth and true in content). The
second speech is Socrates’ appeal to pathos,
for it is meant to stir in Phaedrus a desire for the sort of Eros that leads to knowledge and the
proper pursuit of knowledge.
Socrates proceeds from his second speech to discuss the true
art of speaking, which is, of course, dialectical rather than rhetorical—or
better yet, any rhetorical art necessarily presupposes dialectical discussion.
The latter portion of the discussion, which evaluates written and oral
discourse, is necessary (and so is the discussion of dialectic) due to Plato’s
epistemology. Plato believes in a three-tiered reality; at the top, the
unchanging and unified Forms; in the middle, the somewhat stable and unified
intellectual reality of definitions; at the bottom the realm of appearances and
bodily sensations, which are constantly in flux. The Forms are only understood
through a divine intuition, which occurs through a gradual ascent from the
realm of appearances up to the Forms. To recall Socrates’ second speech: beauty
is visible in appearances, which can stimulate one to recollect the Form of
Beauty, or not. The common response to erotic
stimulus is to reproduce bodily desire: beautyàdesireàsexual
intercourseàreproduction
of a body. Another, uncommon response, is to reproduce knowledge of the Forms:
beautyàdesireàintellectual
intercourseàrecollection
of the Form of Beauty. The orgasm resulting from sexual intercourse is,
perhaps, analogous to the divine intuition of the Form resulting from
intellectual intercourse.
The process of intellectual intercourse is properly dialectic,
because it is able to extrapolate from appearances the more stable definitions
of things in themselves, which prepares the soul to receive the divine
intuition of the thing-in-itself, which is not reproducible discursively.
Herein lies the division between the Forms and Intellectual Reality. Because
intellectual reality depends upon discursive reasoning, it depends upon
language. Language is highly codified, but it remains unstable because the
names of things change or encompass more than one term, making even good
definitions susceptible to confusion (cf. Plato’s Seventh Epistle).
The instability of language even in the realm of
intellectual reality also reveals the greater incapacity of written discourse
when compared to oral. In oral discourse there is greater assurance that the
names we use correspond to the terms of the definition—the speaker is always
free to correct his own or his interlocutor’s errors. In written discourse the non-present
author cannot correct misconceptions of the names being used, therefore there
is less stability even in the realm of definition. Oral discourse can also be
directed to a specific audience, and preserved from foreign audiences for whom
the discourse is not intended. Written discourse may be picked up an read by
anyone, whether or not the individual’s “soul is fitted” to the discourse. Additionally,
written discourse is a copy or image of the thoughts in the mind, which makes
it metaphysically as well as epistemologically inferior to dialectical
discussion within one’s own mind. At best writing functions as a reminder of
what one already knows but has not had on the mind, or as a playful activity,
or as a stimulus for those souls who will take up its discourse in their own search
for eternal truths.
Rhetoric, oral or written, in Plato’s epistemology, is a
propaedeutic to discourse on knowledge, or “mature” speech (contrast with
Callicles’ view that dialectic is propaedeutic to rhetoric, or “mature” speech
in Plato’s Gorgias). Furthermore,
rhetoric is only helpful as a propaedeutic when it has been established upon
the foundation of dialectical discourse—scientific knowledge grounds right opinion;
so not only is episteme superior to doxa, but so too techne as Plato defines it.
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